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CAPSULE: EDMOND (2005) April 7, 2009

Posted by 366weirdmovies in Capsules.
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DIRECTED BY: Stuart Gordon

FEATURING: William H. Macy

PLOT:  A latently racist and mentally addled accountant leaves his wife, spends

edmond (2005)

an impossibly long night touring the NYC commercial sex trade and meeting lost souls, and finally ends up in prison.

WHY IT WON’T MAKE THE LISTEdmond isn’t so much weird as terminally confused.  It’s true Tarot cards keep popping up in impossible places as shorthand foreshadowing, that Macy’s wild night out seems unnaturally long solely to enable it to fit in all the necessary episodes, and that it’s extremely odd that the prison wardens would march new meat in the buff past inmates’ cells.  Still, even with these departures from reality, the movie still doesn’t seem in-your-bones weird so much as it feels like the author (playwright David Mamet) is trying to force events into a meaningful symbolic line, but failing to communicate his meaning to his audience. 

COMMENTSEdmond is only for William H. Macy fans and for those who think vagueness is the equivalent of profundity.  Macy manages to create some interest, though no sympathy, through his performance as a sad sack salaryman who thinks he’s found a temporary fix for existential bafflement by tapping into his tribal bloodlust.  After whoremongering, assaulting women and minorities, and threatening old churchgoing ladies, he finds himself under arrest.  In prison he’s forcibly stripped of his macho facade, and spends his time in stammering attempts to articulate some profound philosophy of life (“every fear hides a wish”).   Unfortunately, Macy wanders through a script that doesn’t know what to make of Edmond any more than Edmond himself does.  Those recurring Tarot cards and the closing monologue suggest that it was all just fate anyway, and Edmond’s search for meaning and the choices he made never made a difference.  In the end, all that happens is we passively witness some inexplicable tragedy happen to an unlikeable man.

Although Edmond‘s angry white male sociopath seems like a faded nth-generation variation of Joel Schumacker’s silly Falling Down (1993), the original play was actually written during the first term of the Reagan administration.  The concept of the angry white male (who Democrats theorized jumped the fence to get Reagan elected) would have had more resonance in that era.  That theory may also explain why Edmond is named after Edmund  Burke, the Irish philosopher/statesman who is looked upon as the father of modern conservatism.  Maybe that explains why both the character Edmond and the movie Edmond seem strange and unmotivated to us today, viewing the film in a different political context.  It also demonstrates why writers should not write to their times (or, at least, should not resurrect old pieces without revising them).

WHAT THE CRITICS SAY:

“…a surreal spiritual fable that riffs on a notion voiced by Edmond that every fear hides a wish. Mr. Mamet shows no interest in offering a tidy psychological explanation for Edmond’s behavior. Hurled at you like a knife, the movie is as reasonable as a panic attack.”–Stephen Holden, The New York Times (contemporaneous)

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